May 24, 2013  ⋅  7 notes  ⋅  Comments

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Foxfires and Harvey Pekar are heading out on tour in a week or so, and we’re teaming up with both bands to do a new PropertyOfZack Playlist feature. Check out their Playlists below while listening to the songs on Spotify and reading everyone’s thoughts!

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When it comes to music to jam while on tour, a few things are important. You want tunes that get you psyched in one way or another, you want songs that will inspire you to have fun and you need songs that the band can more or less agree upon.
Incendiary - Snake
Incendiary’s new record, Cost of Living, is completely ridiculous. If I’m getting sleepy from too many drinks the night before, this song makes me immediately want to stagedive through the front of the van.
Rotting Out - I Love Living In The City *Song is not on Spotify
I love everything Rotting Out has released, I think they fulfill the “psyched and fun” criteria better than almost anyone else, but when I think of one song that makes me want to have the best possible time, it is this one. 
Taylor Swift - I Knew You Were Trouble
I don’t think anyone in Foxfires, except for myself and maybe Brad, enjoys T Swift at all. So this song will be the exception to the rules. Easiest way to put me in good times mode is my girl Taylor. I’m still hoping one day I can get a song written by her about how shitty I am.
Hot Water Music - Turnstile
Where I come from, Hot Water Music IS road trip music. One of my favorite groups of all time, the band immediately puts everything in perspective. Perfect to have some beers to and just enjoy life.
Alkaline Trio - Jaked On Green Beers
The second the feedback comes through during the intro of this song, there is a smile crossing my face. One of the greatest sing along road trip songs of all time. You could probably just change this playlist to Alkaline Trio’s Remains B-sides album and it would get the point across.
The Dedication - This Poison
I still think of The Dedication as one of the coolest hardcore bands of the early 2000’s, I can’t imagine not jamming this on the road. “A fashion show a parade of sheep, grow up and get away from me…” still applies.
Cock Sparrer - Bird Trouble
I don’t know why, but this out-there Cocksparrer song is one of my favorites. Nothing like some ‘sparrer to get you jamming on the road. 
Lucero - Kiss The Bottle
Lucero’s amazing version of the classic Jawbreaker jam, this song is pretty heavy. Nothing wrong with singing along at the top of your lungs with your friends at the end of the night. 
Geto Boys - G Code
This song, and the entire Foundation album, makes you want to act like a fucking psychopath and it’s AWESOME. 
Comeback Kid - G.M. Vincent and I
I love every record CBK has ever put out, but I think Symptoms + Cures is my current favorite and this song is not only unbelievable catchy and awesome, it is also completely applicable to being on the road. I won’t lie though, there is no way I couldn’t also include at least ONE jam from each of their releases.

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Bars – Bright Lights For Demise  
It’s a travesty that Bars only released a single LP. Never mind the fact that the band was an undeniable super group, staffed by early 2000s hardcore luminaries hailing from The Hope Conspiracy, American Nightmare, and The Suicide File. Bars continues to serve as a cross section of all the elements that initially drew me to hardcore. They played stripped down rock ‘n’ roll riffs, and were always able to seamlessly transition between up-tempo punk fair and groove soaked, mid-tempo riffiness -without straying into the derivative breakdowns that were ubiquitous in the songs written by their contemporaries. When I initially started looking for people to play in HarveyPekar, Bright Lights for Demise was the template I presented. Granted, we’ve strayed a bit from that particular blueprint, but in listening to ‘Junto’ or ‘Are We Not Mammals?’ anyone familiar with Bars should be able to tell which side my bread is buttered on.– Elliott Frank
Thou – Smoke Pigs

For me Thou was one of those rare treats: You go to a show to see a band you like, and some band you’ve never heard of completely blows everyone else out of the water. There were 5 bands on this particular show, and everyone played on the stage except for Thou. They set up on the floor, and proceeded to destroy the room with some of the sludgiest riffs I’ve ever heard. Plus, the lead singer is probably the scariest live performer I’ve ever seen. He has this habit of looking people straight in the eyes, with this thousand-yard stare, like he is going to murder you. Anyway, Thou is not your typical sludge/stoner/doom metal band, and this song is a great testament to that. – Nate Kelly
Crime in Stereo – Abre Los Ojos
I’m usually completely miffed by the bands we get compared to. More often than not, I feel we share little if any cognitive or sonic realestate with these bands we seem to remind people of. However, once or twice someone has compared our sound to the first Crime in Stereo LP, and I had to resist the urge to give the person in question an embarrassingly enthusiastic hug. Crime in Stereo has always been one of my favorite bands, primarily because they’re difficult to pigeonhole into one of punk rock’s myriad subgenres. More importantly, they are loyal to their hooks. I try to make it a point to work a riff or two that has some sort of pop aesthetic into every song – the kind of thing that nests in one’s brain. Years after first hearing Abre Los Ojos, I still find myself humming the verse lead. It’s become my catchiness gold standard, against which everything I write for Harvey Pekar is measured. That song (and the rest of CIS’s body of work) is proof that bands can be both catchy and challenging at the same time; resisting the urge to stray into masturbatory, self-indulgent playing that appeals to a small few, while avoiding the pop-punk pitfall of regurgitating the same simple structures and themes until every song is indistinguishable from its predecessors. – Elliott Frank 

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May 24, 2013  ⋅  17 notes  ⋅  Comments

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PropertyOfZack’s Artist Of The WeekMisser, streamed their Distancing EP on the site earlier this week, and we’re happy to bring the band back for a Track-By-Track feature on the EP as well. Distancing will be out on May 28th via Rise Records so make sure to pre-order the release (iTunesMerchNOW) and to check out the Track-By-Track below!

Goddamn, Salad Days
Tim sent me this song with the chorus melody. Shortly after I opened up garage band and recorded an idea for the verse. It took me from that moment till about 3 days prior to actually tracking the song to finish the other verse. Why? Who knows. I over think everything and am never 100% confident with certain ideas I bring to the table. I also want the meaning behind the lyrical content to make sense to me and sometimes it doesn’t. I can get too weird for my own good. That’s where the beautiful garage band comes in handy. Tim and I can send things back and forth and keep each other in check if an idea is good or not. 

Infrared
The day before I was scheduled to fly out to the Bay to start recording the Distancing EP with Misser, I started to do what I do best- overthink the whole thing. We had plenty of song ideas, but I couldn’t get the “are they good enough?”s out of my head. I was up at Maximum Sound studios with Gary, and I mentioned my worries, as he could see the stress on my face. “Go in the other room and write another one.” So, I did. Thirty something minutes later, “Infrared” was a demo. 

When you spend some vulnerable years of life playing music on the road, it’s pretty easy to develop some defect in charter. Dropping out of school to partake in such an emotional roller coaster of a profession left me in a very insecure place. “Infrared” is about what happens when those two parts of my brain collide. It’s tough to stay sane when nothing around you is ever stable. P.S. There’s also parts in the song about a dream I had that aligned a recent tour with the story line of “Django Unchained.” Strange things. 

Burn Out
When I showed Brad and Mikey the acoustic demo of this song, they told me they were excited to have a more mellow song on the EP. Boy, did we see it differently. It’s tough to portray the way you envision something with just an acoustic guitar and GarageBand. The song found its energy in some liquored up, late night writing sessions. Torre, Mike and Brad really helped bring this one to life.  We all just really clicked when everyone was in the room jamming it. Brad started tracking vocals for this one first and 4 AM one night, after a night out with the whole team. It was amazing. 
I’d rather not explain the real meaning behind these words. Reclusion is a strange thing. 

Alone, Die.
The melody just kind of found its way into my head one morning. I thought I hated it, but Brad convinced me otherwise. It’s funny, it’s probably the most uplifting song on the record musically, but undeniably the most bitter, lyrically. We wanted to keep it very simple and straightforward on this track- I think that mindset let the whole song breathe well.  

This one’s pretty much about how if someone you care about gives you an about face and a cold shoulder, then they’ll get it right back. Maybe with some pretty little details laced in there…

Slow It Down/Write It Out
We were only supposed to record three songs. Then we were like, “fuck it let’s do four.” Then we all had a hard time paring with “Slow It Down…” so we decided to keep it around. Personally, I always get super attached to all the songs I partake in writing. I hate cutting tracks. This song was the one that changed the most from the original idea, and I love it for that. Everyone played a part in bringing this song to life. Sam made me layer the guitar track in the bridge like 87 times. It’s so heavy- I fucking love it.  
“Slow It Down…” is about staying who and what you are, and dong what you do because it’s what you do. Sometimes you get wrapped up in things, and you’ve got to catch yourself and make sure you’re still going down the path you believe in. 

May 24, 2013  ⋅  3 notes  ⋅  Comments

Tallhart are releasing We Are The Same on July 16th via Equal Vision Records. Check out the artwork and track listing below after the jump. 

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May 24, 2013  ⋅  59 notes  ⋅  Comments

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Sometimes the best records are the ones you never hear, but should have, and hopefully eventually do. We’re halfway through 2013, but we bet you’re enjoying some records right now that came out in 2012 that you only found recently. PropertyOfZack thought it’d be a great idea to make a  new Friday Discussion post of The Best 2012 Albums Of 2013 so our readers can find out about records that they may have missed and so we could find out about some records we might have missed as well. Check out the feature below and make sure to reblog to let us know what great records we missed from last year as well!

Basement - Colourmeinkindness
Like many others familiar with the Run for Cover family, I’d heard plenty about Basement before, during, and after they announced they were calling it quits. I had seen them once at Asbury Lanes on one very intoxicated summer evening and was impressed, but never followed up save for a few songs from 2011’s I Wish I Could Stay Here. Early this year, I put Colourmeinkindness into rotation on a whim, and very quickly regretted not making this band a priority listen in the past. There’s nothing I could say about them and their sound that hasn’t already been said (from my notes: “grungier Balance and Composure;” “reprisal of 90’s alternative”…can we get a rousing DUH?), but the way that “Comfort” bleeds into final track “Wish” creates one of my favorite closing sequences that I’ve heard in years. Unfortunately, sleeping on this band was one of negative consequence, considering they no longer are one - but I’m predicting other kids might go the same route in back-cataloguing adventures and Basement just might have quite a splash to make in the reunion circuit down the road. - Adrienne Fisher

Macklemore & Ryan Lewis - The Heist
Has any commercially successful pop artist had a bigger breakthrough in 2013 than Macklemore and Ryan Lewis? The answer is an emphatic no, thanks to the unexpected success of the duo’s quirky hit “Thrift Shop,” which became the first song by an independent hip-hop artist to reach the number one spot on the Billboard Top 100 Singles chart. 

The duo’s 15 minutes of fame have recently been renewed thanks to second single “Can’t Hold Us” also reaching the number one spot on the Billboard Singles Chart, which may prove that the Seattle underdogs are here to stay. With songs like “Same Love,” “Cowboy Boots,” and “Thin Line” combining Macklemore’s unique style and charisma and Lewis’s slick, old-school production, this may only be the beginning of the rise of The Heist, which was released last October. The slow-building success of “Thrift Shop” is clearly the cause for this album picking up steam in 2013, and given the creativity and personality that exudes from that track and so many others on The Heist, we should all be very thankful that the breakthrough of Macklemore and Ryan Lewis happened. 

Representing an independent, DIY attitude that is taking the music industry by storm, Macklemore and Ryan Lewis are doing things that simply haven’t been done before, and in today’s industry, whether you’re a fan or not, that deserves your attention. - Donald Wagenblast

Dads - American Radass (This is important) 
I didn’t get around to checking these guys out until I realized they were one of the bands on the site that got a lot of attention that I wasn’t very familiar with. And then they won our March Sadness poll and I knew I really couldn’t sleep on giving them a chance any longer. I mean, who ever beats Brand new for anything? 

Apparently these guys, and it’s definitely deserved. American Radass (This is important) exemplifies being sad down to the core. “A permanent bee sting/In my throat/I can’t ever catch my breath/ It’s not fair to tell me to cheer up.”  That line from the song “Get To the Beach!” is just one small paradigm of how these new contenders show that they can fight in any heavyweight match. This album is drenched in painful nostalgia, heart-wrenching one-liners, and cynical vocals. It’s been on repeat on my iPod for the past few weeks, and everyone should give it a chance (really, you would be dumb not to). – Brittany Oblak (@brittanyoblak) 

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May 24, 2013  ⋅  23 notes  ⋅  Comments

Goldfinger have released a new song called “Am I Deaf.” Stream it below after the jump.

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May 24, 2013  ⋅  2 notes  ⋅  Comments
May 24, 2013  ⋅  24 notes  ⋅  Comments

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Converge have released a cover EP of  Entombed’s “Wolverine Blues.” Stream it below after the jump.

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May 24, 2013  ⋅  12 notes  ⋅  Comments

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PropertyOfZack is happy to be premiering a new cover video of The Goodnight taking on Bruno Mars’ “When I Was Your Man.” Watch and listen to the cover below after the jump!

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May 24, 2013  ⋅  37 notes  ⋅  Comments

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Sleeping With Sirens have released a surprise new song called “Best There Ever Was” that features Fronz on vocals. Stream it below after the jump.

Related Stories: 
Sleeping With Sirens Release New Song “Alone” Ft. MGK
Sleeping With Sirens Announce ‘Feel’ Album Details 

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May 24, 2013  ⋅  22 notes  ⋅  Comments

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Emery are aiming to release their next record in the fall or winter. Check out a comment from the band below after the jump.

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May 24, 2013  ⋅  13 notes  ⋅  Comments

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Bled Fest is finally here tomorrow, and PropertyOfZack is very stoked to be in attendance. Check out the set times for the festival below after the jump.

Related Stories:
POZ Bled Fest Preview: Our Must-See Bands And Artists 

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May 24, 2013  ⋅  8 notes  ⋅  Comments

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*This review was composed by Sydney Gore and edited by Erik van Rheenen

When Wild Nothing released its newest single, “A Dancing Shell”, critics everywhere raved about the hot track. With so much excitement built up on this EP, Jack Tatum was expected to step up his musical game. So he ventured all the way to Brooklyn to record the EP, where a new setting certainly awakened another side of the artistic genius within him. All 7 songs on Empty Estate flow smoothly along a musical current that leads to a waterfall of wonderful sound.

Empty Estate is the type of EP that can’t be interrupted— it deserves to be played all the way through, from beginning to end. “The Body In Rainfall” opens the floodgates of sound with grooving guitars and killer keyboards to create the dreamiest of dream pop. “Ocean Repeating (Big-Eyed Girl)” follows the wave as Tatum describes a mystical woman whose features are emphasized with piercing synthesizers. “I’m not trying to catch her or to carry her weight. I only wanted to chase her through the empty estate,” Tatum sings.

With sensational single “A Dancing Shell” aside, other standout tracks are definitely “Ride” and “Data World.” The duo has multiple layers to them, packed with pop, rock and electronic influences that all reek of that sweet 80’s funk. 

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May 24, 2013  ⋅  7 notes  ⋅  Comments

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Park are back and will be returning to fans with a new album based off a novel that Ladd Mitchell has been writing. Check out details of their reunion lineup and new album below after the jump.

Related Stories:
Park Confirm Reunion; Recording New Album 

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May 24, 2013  ⋅  18 notes  ⋅  Comments

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Less Than Jake have released a tour sampler for their upcoming summer run. Check out details below after the jump.

Related Stories:
Less Than Jake Currently Recording 10th Full-Length 

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May 24, 2013  ⋅  8 notes  ⋅  Comments

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Our friends at Casual Friday have released a 57-song digital sampler. Listen to and download it below after the jump!

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