May 15, 2013  ⋅  19 notes  ⋅  Comments

image

Skate And Surf Festival is three days away, and we hope you’re all as excited as we are for an incredible weekend at Six Flags in Jackson, NJ. We posted POZ’s Must See Bands And Acts for the first day of Skate yesterday, and we’re back today with day two! Check out ticket/lineup information for the festival here, our list below, and reblog to let us know who we need to see while we’re at Skate this weekend!

Related Stories:
POZ Skate And Surf Preview: Our Must-See Bands And Acts (Day 1)

image

Macklemore & Ryan Lewis, by Sydney Gore
I have already had the pleasure of watching this dynamic duo perform live, so from my own personal experience, I can assure that they know how to show a crowd a good time. There’s so much more to the Seattle based rapper and producer than meets the eye—the same men who made the catchy, lighthearted tracks like “Thrift Shop” and “And We Danced” also speak out about social issues, such as marriage equality, in “Same Love.” The Heist was one of the most anticipated albums of the year, and since its release back in November, Macklemore and Ryan Lewis have earned themselves quite a supportive following. Believe the hype, Macklemore and Ryan Lewis dish out lyrical poetry that does not disappoint.

image

Glassjaw, by Jesse Richman
Elusive post-hardcore veterans Glassjaw tend to keep a low profile these days; it’s been over a decade since the band released their last LP (though they continue to quietly release the occasional EP), and nearly as long since they played anything approaching a full-time touring schedule. Not that the infrequency of their performances shows in their stage work — ask anyone who’s had the luck to catch them in the last few years, and they’ll gladly let you know that Daryl Palumbo remains as dynamic a frontman as ever. These veterans of the original Skate And Surfs may be fighting an uphill battle against a crowd primed for Macklemore and A Day To Remember and too young to remember the band’s glory years, but Glassjaw are nothing if not fighters. Hopefully the crowd will understand what a rare treat they’re getting when the band takes the stage.

Rx Bandits, by Erik van Rheenen
They’re back.

Ten years after releasing The Resignation,the Drive-Thru standouts are putting the kibosh on their one-year hiatus with a return to Jersey. Nearly four years removed from their stellar full-length Mandala, the progressive rockers will shake off the rust and be back to their old proggy tricks. The elusive veterans haven’t played North American shows in more than a year, and in a day packed with nostalgia, (Glassjaw and Saves The Day, for starters) Rx Bandits will rock the Skate And Surf stage like it’s 2009.

image

MOD SUN, by Sydney Gore
Selecting two hip-hop artists from the lineup was a happy coincidence, but MOD SUN is definitely one of my favorites. The hippy-hop artist is all about being happy, spreading posi vibes, and living life to the fullest— or the highest. I guarantee that you’ll leave his set with a huge smile on your face and a fresher perspective on life. Anyone who wants to immerse themselves in a fun atmosphere needs to let MOD SUN be their guide.

Saves The Day, by Erik van Rheenen
We the fans can be big complainers. “This band didn’t play all the songs I wanted to hear.” “Where’s that obscure B-side from 2005?” “You guys always play the same set.” So Saves The Day cut out the middleman and had fans vote on the setlist, so even if they don’t play “Sell My Old Clothes, I’m Off To Heaven,” you at least had some say. A collection of fan favorites and deep cuts should be more than enough to pack the pit for Chris Conley and company — who knows? Maybe we’ll get a taste of some new tunes, too. 

Read More

May 10, 2013  ⋅  41 notes  ⋅  Comments

image

For so many of us, our First Concert Experience opened us up to the world of music we’re currently in. You may have gone to a stadium or arena show with your parents for a pop star at a young age, but what was your first “scene” show? We thought it would be great to do a new PropertyOfZack Friday Discussion on all of our first shows, and our list includes some staff members and bands as well. Check out our Discussion below and feel free to your first concert experience!

Angels & Airwaves - Zack Zarrillo
My first concert experience could be best compared to an 18-year-old girl going to prom and having her virginity taken by her dream date. I am most certainly the girl in this scenario, and Tom DeLonge was my dream date.

Growing up in New York City, my parents didn’t really understand what shows were. And I didn’t really either. My first show wasn’t in a small room, it wasn’t in a house, it wasn’t in a basement. It was in 2008 when I was 15 years old in a 3,000+ cap venue called Roseland Ballroom.

I couldn’t miss the show. It took so long to convince my parents, and it finally paid off.  Looking back at it, the lineup was kind of ridiculous. It was Ace Enders (The Early November), Fred Mascherino (ex-Taking Back Sunday), Meg & Dia, and Angels & Airwaves. Boy was I happy. It was truly a dream show for me. AVA played almost every song I could have asked for, and Tom played a Box Car Racer track.

He treated me so well. It hurts it hurts it hurts it hurts. (It didn’t).

Dance Party, Barcode - Matt Brasch (The Wonder Years)
The first show I attended was January 27, 2001 at the Knights of Columbus in Lansdale, PA. The bands were Bob Macadoo’s Dance Party, Barcode, Concept 7, Bad Influence, Live For Today and Royal Noise Brigade.

Coincidentally, it was the first show I had ever played. I remember my parents helping me unload my drums a few hours before doors and being extremely nervous but excited. Bob Macadoo’s Dance Party kicked off the show and got everyone moving. It was the first time I saw someone skank. My anxiety escalated throughout their set because we were next.

When my first punk band — Barcode — started playing, I was on cloud nine (until I put a stick through my snare drum head a few songs in). Luckily, Ryan from Bob Macadoo’s Dance Party was nice enough to let me borrow his snare for the duration of our set.

I got up front to watch the remainder of the bands for the show since it was a floor show and I was shorter than I am now. Though the room was filled and the experience was a bit overwhelming, everyone was welcoming and friendly. After leaving the show that night I decided that playing music, going to shows, and surrounding myself with music is what I wanted to do with my life.

Cartel, Fabulous - Erik van Rheenen
By way of a broken foot (not mine, thankfully), I lucked into my first scene concert. Because “Apologize” was kind of a cool song in 2008 I guess, I bought a ticket for OneRepublic’s Crocs Next Step Campus Tour at Gannon University in my hometown of Erie. A billion boring singles and an awful fashion trend later, pretty much everything about that last sentence embarrasses me.

But a handful of days before the show, lead singer Ryan Tedder broke his foot (there’s an “All the Right Moves” joke somewhere in there, but I’m too lazy to find it) and had to cancel the gig. High school me thought, ‘seriously, does a broken foot make it that hard to sing?’

So in a last-second scramble, Cartel was added to the lineup as the show’s headliner, and now I can’t imagine it any other way. I saw the “Honestly” video on VH1 a few times and loved it, so I made my friend (and concert going partner) Ethan burn me a copy of “Chroma” and tried to commit as many lyrics as I could to memory. The band was hot on the heels of its self-titled album, so it was a frantic dash to take in two albums in the span of like, six hours.

The opener — no-hit wonder rapper Fabolous — sucked, but when Cartel hit the stage, I pogoed like a good little pop-rock soldier and sang along with all the songs I knew (“Honestly,” “Burn This City,” and “Runaway”) and faked it through the ones I didn’t. I bought a shirt and wore it the next day to a chorus of “what the heck is a Cartel?” I didn’t care. Having a band that felt like my secret was the best feeling.

Testament, Savatage - Bob Nanna (Braid)
It wasn’t my very first show, but it was one of the first shows I attended unaccompanied by parents or chaperones. March 25, 1990. The Vic in Chicago. The lineup: Testament, Savatage, and Nuclear Assault. This was towards the end of my regrettable “metal phase.” (The next show I saw that year was actually Naked Raygun.) When I think back on it, it may have been this particular Testament show that pushed me more towards punk, or at least the punk ethic. It was more my speed. 

Read More

May 6, 2013  ⋅  19 notes  ⋅  Comments

image

Cartel have added State Champs to their tour in June. Check out the dates below after the jump. 

Read More

May 5, 2013  ⋅  69 notes  ⋅  Comments

The Cinema have released a cover of Nicki Minaj’s “Super Bass” that features vocal parts from Will Pugh (Cartel), Tilian Pearson, and Snowden. Listen to it below!

Read More

May 1, 2013  ⋅  14 notes  ⋅  Comments

Cartel have announced a string of headlining dates this June. Check out the routing below after the jump. 

Read More

April 25, 2013  ⋅  10 notes  ⋅  Comments

image

Cartel have released a new lyric video for “Uninspired.” Watch it below after the jump.

Read More

April 13, 2013  ⋅  48 notes  ⋅  Comments

Cartel are not breaking up, but some fans have been concerned that the band’s new album may be their last. The band discussed the possibility of breaking up due to lack of care in a new interview with AbsolutePunk. Check out part of what the band had to say below by clicking “Read More.”

Read More

April 10, 2013  ⋅  12 notes  ⋅  Comments

image

Cartel and State Champs will be touring out to Skate And Surf in May. Check out the dates below by clicking “Read More.”

Read More

April 1, 2013  ⋅  6 notes  ⋅  Comments

image

The Monthly Summary
Week I  
Week II 
Week III 
Week IV 
Week IV

Albums Out This Month
Week I

The Weekly Tour Round-Up
Spring-Summer

Exclusives
Coming Clean, Thieves Split Details 
The Box Tiger Stream; Cardinal White Announcement  
AltarTV H2O, Terror Live Footage
Details Of Last Night’s Run In With Homophobia At TWY 

March Sadness 
Final 2 Announcement + Voting Begins 
The Road To The March Sadness Finals

Interviews
Dave Elkins (Mae, Schematic)
Reggie And The Full Effect
 
Jonny Craig

Reviews
Senses Fail - Renacer 
HRVRD - From The Bird’s Cage
Wild Belle - Isles 
Ducktails - The Flower Lane

Single Reviews
The Wonder Years - “Passing Through A Screen Door” 
Fall Out Boy - “The Phoenix” 
The Hush Sound - “Not A Stranger”

Perspectives
GameChanger - The Experiment To Shakeup Our Musical Experience 
East Coast Collective - Jumpstarting Long Island’s Scene 

Discussions 
Most Anticipated April Releases
The Road To The March Sadness Finals

Decade
AFI - Sing The Sorrow

Playlists
Team Recommendations - My Chemical Romance Themed

BandsOnBands
Cartel On The Smashing Pumpkins

Contributor Blogs
Rough Drafts With Ben Liebsch 

Road Blogs
Pentimento  
For The Foxes

Streams
Cardova - “Palace” 
Caravels - “Tangled” 
Sweet Talker - “Love Affair” 
State Lines - “Kids”
Seaway - Clean Yourself Up
The Box Tiger - “Knives”

Video Premieres
No Good News - “Keep Quiet” 
William Beckett - Slip Away (Live Pioneer Sessions)

Podcasts
100 Words Or Less: Jon Contino (CXXVI Clothing)

Behind The Booths 
Culprit

Showcase
Vessels 
The Delta Saints

Gallery
Wake Up And Be Awesome Tour

Sponsored Tours  
Forever Came Calling, Heart To Heart, Last Call [Now-04/21]
 
BoySetsFire, No Trigger, Pentimento, Light Years, Maker [05/24-05/26]

March 25, 2013  ⋅  16 notes  ⋅  Comments

image

Mondays mean BandsOnBands, and we’re excited to be posting the PropertyOfZack feature today with Will Pugh of Cartel. The band will be releasing their incredible new record, Collider, tomorrow. Make sure to pre-order it here if you’ve yet to.

In this week’s feature, Will discusses his love for The Smashing Pumpkins, a band that kickstarted his love and craving of music, changed the type of music he listened to, and helped develop his guitar playing as well, amng other things.  Listen to songs by The Smashing Pumpkins here and check out what Will had to say about one of his biggest influences below!

From Will Pugh of Cartel:

Growing up as an only child presented me with a lot of alone time in the car while riding with my parents. I got my first cassette Walkman when I was 9 and I was officially in my own little world until I could drive myself and control the stereo. I listened to mostly bullshit on the cassette player. Give me a break, I was 9! However, I got my cd player Walkman around the age of 12 which also happened to coincide with the release of my first and all time favorite record Smashing Pumpkins’ Mellon Collie and The Infinite Sadness. I remember seeing the video for “Tonight, Tonight” on MTV when it was still cool to play music videos and I just had to get that record!! I wore the “grooves” out of that CD for a solid year. I had also just gotten my first guitar so I was becoming a fan while at the same time learning (what I could) on the guitar. 

I’ll never forget the love I had for that album. It essentially changed my music taste for good. Growing up in a Christian music household in the 90’s left a lot lacking in the quality music department. Everything was just so boring and malaise. Nothing seemed to have that fire that you look for in a band. So my heathen friend introduced me to 311 and Smashing Pumpkins. I could write a novel on 311 but Smashing Pumpkins was my first love. On first listen, I was struck by the world the band created sonically. It was like nothing I’d heard before at that age. My ears were dancing. I was hooked. By the time “Zero” came on, I was in ecstasy. Head banging in the back seat. My parents were very concerned. “Emptiness is Loneliness and Loneliness is Cleanliness and Cleanliness is Godliness and God is empty just like me…” - no parent in a Christian household wants to hear that lyric coming from their 12 year old son. Too bad, I was in the zone! I didn’t know what drugs felt like then but I was sure as shit that I was high. From that point on, I was a music lover. There’s a difference between your average music listener and an addict. A music listener enjoys it and buys it and goes to concerts. A music lover is OBSESSED with finding the next artist that gives them the same goosebumps as that first taste. It really is an addiction. 

Read More

March 24, 2013  ⋅  22 notes  ⋅  Comments

image

March 26th is just two days away, and there are a few great releases coming out this week. Click “Read More” below to check out the album details and download information for all the great records coming out this week!

Read More

March 20, 2013  ⋅  12 notes  ⋅  Comments

Cartel’s Collider will be coming to vinyl this spring for $25. Order it here and check out a very important message from the band on the vinyl below by clicking “Read More.”

Read More

March 20, 2013  ⋅  19 notes  ⋅  Comments

image

New Found GloryCartel, and State Champs will be doing West Coast Sticks And Stones dates in June. Check them out below by clicking “Read More.” 

Read More

March 12, 2013  ⋅  47 notes  ⋅  Comments

image

Cartel have released a new song called “First Things First.” Stream it below by clicking “Read More.”

Read More

March 10, 2013  ⋅  21 notes  ⋅  Comments

image

It’s the weekend again, so PropertyOfZack is back with a brand new Team Recommendations Playlist! Each weekend, different members of our team recommend both old and new songs for our viewers to listen to and enjoy. Check out our Team Playlist and listen to the songs on Spotify while reading everyone’s thoughts! 

image

Haddaway - What Is Love
Because it’s at that point in the winter where I’m going stir crazy and finding it difficult to take myself or anything seriously. - Adrienne Fisher (@adriennerayfish)

Bring Me the Horizon - Shadow Moses
While metalcore, in general, continues to tread water as a genre, Bring Me the Horizon once again prove that there is still room for innovation within the much-maligned genre. The Brits’ lead single, “Shadow Moses,” off of their forthcoming fourth album, Sempiternal, is a barn-burning, rip-rousing, baseball-bat-to-the-temples of a tune. So don’t let Woe, Is Me or [insert shitty ____core band here] get you down on the genre. Bring Me the Horizon persist to bring it both heavy and hard. Michael Meeze (@mikemeeze)

Jackie Wilson - Lonely Teardrops
One of Mr. Excitement’s greatests gifts to music - a sad song you can dance to. - Ali Carcache (@alicarcache)

Streetlight Manifesto- The Receiving End Of It All
Streetlight Manifesto is the band that is responsible for me becoming the person that I am currently. They were my entrance into the music scene and I am so grateful for them. The whole news about their “hiatus” bummed me out to a new level. While we await their new album (first in 6 years) it’s about the time to go back and listen to their discography. This is my favorite Streetlight song for many reasons, and that horn breakdown at the end made me shed a tear when I listened the day I found out about their news. I guess I’ll probably cry or something when I see them do their farewell tour in the Fall. R.I.P. Streetlight. - Justin Graci (@JustinHMGraci)

Cartel - In Stereo (Acoustic)
I have their EP In Stereo, but I just found this little jem while on browsing Spotify: The deluxe version, with acoustic tracks.  And I am all about acoustics. This song seems to communicate something different over acoustic guitar; a slightly slower, more emotional song. I dig this. Ready for Collider already! - Mike Sheffey (@SheffeyzTweetz)

Rhye- Open
Selecting a song from Woman was frustrating because every single track is worthy. In all honesty, just stream the whole album- I promise it will change your life for the better, or positively alter your current state of mind. Rhye has opened a window of intimacy that I didn’t even know existed within me. The only way I can describe this album is by ripping off Trip Fontaine: It’s a stone cold fox. - Sydney Gore (@sydegee)

Like Torches - Missing It All
I saw Like Torches for the first time two weeks ago and I’ve had their new album, Keep Your Head High, on repeat ever since. The energy and presence in their live show blew me away and the album, produced by Ryan Key and Ryan Mendez of Yellowcard, is everything that’s right in rock music these days. “Missing It All” has a driving pace, some well-placed harmonies, and instantly relatable lyrics about leaving behind all the things holding you back and finding your own way. - Becky Kovach (@beckystrz)

Gob - Underground
This band is one of my favorites to ever come out of my homeland of Canada, and this song comes from their criminially overlooked 2007 full-length Muertos Vivos. It’s a jam. No, seriously, it is. - Brandon Allin (@allinbr) 

Read More

PropertyOfZack.com is a member of BUZZMEDIA Music, a division of BUZZ MEDIA
About BUZZMEDIA | Advertise | Press | Contact | Privacy Policy | adChoices | Copyright